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Ria Sharon

pondering creativity, process, and making art

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Play is Serious Business

October 17, 2015 by riasharon

Untitled design-2 “Play allows children to use their creativity while developing their imagination, dexterity, and physical, cognitive, and emotional strength. Play is important to healthy brain development. It is through play that children at a very early age engage and interact in the world around them.” ~ Kenneth R. Ginsburg, MD, MSEd, and the Committee on Communications, and the Committee on Psychosocial Aspects of Child and Family Health in the Journal of the American Academy of Pediatrics

I propose that this goes for children of any age!

Personally, I feel more imaginative and emotionally resilient with my daily art practice. Dexterity I’ll attribute to yoga. 🙂

These sketches are just a few of the wondrous, amazing, playful projects from my students in Sketchbook Magic. Clockwise from top left: @nicolerpeery @samsalenger @bywaycreative @danutzi

Obviously…

Play allows someone to use their creativity while developing their imagination, dexterity, and physical, cognitive, and emotional strength. Play is important to healthy brain development. It is through play that we engage and interact in the world around them.

Check out the back story behind each of these pieces in the class gallery and so many other wonderful sketches. Join us anytime!

 

 

Filed Under: classes Tagged With: sketchbook magic

My VIDA Collection is Now Available

October 16, 2015 by riasharon

If you are looking for a treat for yourself or a unique gift for the fast approaching holidays, I’m excited to share that my VIDA collection of scarves and tops are available for pre-sale. These are the three original paintings I’m offering through VIDA.

vida-collection

VIDA connects artists with craftspeople and manufacturers to source and design exquisite blouses, dresses, and scarves. Not only that but VIDA also provides literacy classes to the people who make their products. The two paintings on the right appear on scarves that are made of soft, luxurious modal. The bright one on the left is on a flattering A-line sleeveless silk top with a rounded asymmetric hem.

vida-models

Click here and use VIDAVOICES for 20% off in the next 5 DAYS! All designs will ship within 30 days — in plenty of time for holiday gift-giving!

Thank you so much for your continued support of my work.

Filed Under: products

An Artist’s Sketch: Marieke Middendorp

October 14, 2015 by riasharon

bonnieI am Marieke Middendorp, dutch illustrator and single mummy of two sweethearts. After I finished University in Rotterdam (I wanted to be a documentary maker) I moved back to Groningen and had several non-creative jobs. I started Studiopie.nl in 2009, besides my day job, first focusing at kids clothes, art and decorations for kids rooms. A little later I taught myself graphic design and designing websites. Only when I started the Lilla Rogers ‘Make Art That Sells’ course at the beginning of 2014, I realized I am a illustrator and not a graphic designer. So I picked up a pencil and could not let go. This is who I am. I have accepted my quirky, non-realistic- style as it represents who I am.

STUDIOPIE-penduka-playpelican

1. What’s your medium of choice and what do you love about it?
Actually I use a lot of mediums. I always start with pencil. Making clear lines. But I also use black ink, watercolor, gouache, clips of paper, ecoline and particularly Photoshop. I guess you can say I make collages in photoshop; I take all the bits and pieces, make my own patterns and textures, scan them in and make it a complete artwork in photoshop using LOTS of layers.

2. What are you working on right now? What’s on your camera/desk/easel or in your studio?
I’m working on some different pieces at the moment. On my desk there is a design for a tattoo; with lots of flowers, butterflies, hearts and birds in the shape of a scull. Love doing that, it’s completely different from what I usually do. And I’m working on a logo/banner for a website of a fantastic writer with whom I also am working on a childeren’s picture book. And I’m always working on my personal work, which is a bit more editorial.

3. What practices/activities are most valuable to your creative process?
marieke-indestudioThe most valuable activities is keeping my body healthy. I take lots of breaks to reduce my RSI (which can be very frustrating, because sometimes I just want to surrender to my flow), eating healthy, making long walks and getting enough sleep. I think its very important not to stress about things. Have a little faith in the process and outcome. Sometimes I get scared something will not work out, or i can’t get inspired and actually almost all the times when I let it go, relax myself by making a long walk or read, I come up with the best ideas. Also, sometimes I just get started and it will all be allvcright. I get inspired by nature, reading books, seeing great beautiful things; art, patterns, other peoples work, photography, textures, quotes etc.

4. What’s one thing you want to share with others about your art and/or process?
When I’m working for someone else I mostly get inspired by the assignment, what they want it to represent, the message they want to send out, and I try to catch the feeling. Sometimes thats quite difficult, but I love it when you are brainstorming with a client and you complement each other and together you take it to the next level.
For my personal work, I’m a highly sensitive person and I use my art as medicine or diary. I love doing that. I need doing that. It is so soothing. And I always want to convey my feelings and thoughts. The biggest compliment is not that it’s beautiful but when somebody is touched by seeing my work.

There’s one project I’m very proud of. At my kids school there was a fundraiser for Penduka. Penduka is a foundation that helps disadvantaged women in Namibia to improve the standards of living by making beautiful handmade products. My contribution was the design for a playground for the kids of these women. They actually built this play pelican and kids there are enjoying it. That makes me very happy!

The whale was an assignment for MATS class. It turned out to be a very personal, timely and special for me. I saw the message with hindsight.

Marieke_Middendorp_JUNE

5. What advice would you give to your young artist self?
Do not be afraid to show yourself, do not be ashamed, do not listen to your own voice that says you are not good enough. Do not compare yourself to others. Do what you love, what you need to do, and show yourself to the world. Now I know, that when something looks like its going to suck: finish the piece. In most cases its actually turns out to something good! Trust yourself.

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Filed Under: an artist's sketch Tagged With: illustration

Beyond Reason: Day 1 of Sketchbook Magic

October 2, 2015 by riasharon

sketchbookmagic-day1(clockwise from top left) @mommakatmack @mszobeck @tacrowder @jhjmilner

These are just four of the wonderful pieces that students have shared in Sketchbook Magic on Skillshare.

One of the benefits of approaching art-making in this way is that it disables our thinking mind. As much as we need our right brain for all sorts of things like… oh, logical and practical reasoning, it is often the death of creativity. So in the case of beginning an art project or art practice, we need to sneak past the part of ourselves that questions whether any of it makes any sense!

In the process of pushing that critical mind aside, we allow our more playful, whimsical side some airtime. Fun!

FUN is exactly what I’m observing in Day 1—lots of fun, lots of spontaneity, creativity and innovative ideas. Students have used toothbrushes, pipe cleaners, corks, even flowers to make their marks. It’s just the beginning as we begin to explore and open up to new possibilities. What can you create with readily available materials?

Check out the back story behind each of these pieces in the class gallery and so many other wonderful sketches. Join us anytime!

Filed Under: classes Tagged With: sketchbookmagic, squishier

An Artist’s Sketch: Bonnie Christine

September 29, 2015 by riasharon

bonnie Bonnie Christine is a surface pattern designer, fabric designer for Art Gallery Fabrics and creator of Going Home to Roost. In addition to teaching and sharing all that she knows with the Roost Tribe, you can find her working in the garden and spending time with her husband and children. Join her in living an extraordinarily creative life on her blog, Going Home to Roost!

products1

1. What’s your medium of choice and what do you love about it?

my medium of choice is pencil and paper, and then illustrator. i absolutely love sketching for a collection and seeing it all come to life as i turn my artwork into repeating patterns for fabric, wallpaper and more!

2. What are you working on right now? What’s on your camera/desk/easel or in your studio?

house25 right now, i’m working on my 10th fabric collection for art gallery fabrics. currently on my desk is stack of portfolios i’m working on sending out to my list of dream clients (exciting yet scary!) and a pile of fabric i need to begin sewing through for my display at international quilt market next month.

3. What practices/activities are most valuable to your creative process?

one practice i live by is to do something every single day that moves me closer to a big goal or dream of mine. it’s through this practice that amazing things happen and big dreams come true!

4. What’s one thing you want to share with others about your art and/or process?

biothe artwork and patterns that i make are a direct reflection of my heart and life. though they may not seem like it at first glance, they each represent something near and dear to my soul. they tell the very story of my life!

5. What advice would you give to your young artist self?

be confident in your style, your work and your willingness to share with others. it will bless you in so many ways!

house42-3

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Filed Under: an artist's sketch Tagged With: surface patterns

An Artist’s Sketch: Maria Ojacastro

September 23, 2015 by riasharon

PrintMaria Ojascastro teaches children and adults as a Design/Visual Arts faculty member for the Center of Creative Arts and as a private instructor from her home studio in St. Louis. Her heritage and family inspires much of what she does, especially her three sons, one who is a cancer survivor, and all three who are now thriving with the diagnosis of Asperger’s. These personal challenges have led to specialized workshops she created for individuals whose lives have been touched by trauma, cancer, or atypical children. She’s presented workshops for many educational and cultural institutions including the Kemper Art Museum, The Missouri Mental Health Counselors Association (via live national webcast) and the Center for Survivors of Torture and War Trauma. She also teaches art to individuals whose lives have been touched by cancer at the Siteman Cancer Center, the Cancer Support Community and St. Anthony’s Cancer Center.

In 2014, Maria’s art was featured in a two-person exhibit in the Millstone Gallery at the Center of Creative Arts, entitled “Breathe.” “Breathe” was an exhibit of recently created works that layered prints, paint, text, and found objects as a meditation on resilience, salvaged from the relics of interrupted journeys. She received a Masters of Fine Arts from Washington University in St. Louis; studied in Santa Reparata International School of Art in Florence, Italy; and received a Bachelor of Fine Arts at Saint Mary’s College in Notre Dame, Indiana.

COCA Millstone Gallery Exhibition: Breathe - Maria Ojascastro and Rudy Zapf at COCA in St. Louis, MO on June 18, 2014.

COCA Millstone Gallery Exhibition: Breathe – Maria Ojascastro and Rudy Zapf at COCA in St. Louis, MO on June 18, 2014.

1. What’s your medium of choice and what do you love about it?
I love printmaking… I studied printmaking, I think like a printmaker, I create like a printmaker, but I don’t have a printing press in my studio. So I often draw and paint on top of old prints and layer them in my work. Whether I’m painting, drawing, or melting encaustic wax, the elements I love about printmaking — textures, colors, layers and unpredictable results — make their way into my art.

2. What are you working on right now? What’s on your camera/desk/easel or in your studio?
I taught a few of my private art students this summer how to make fairy gardens. So now I’m making a couple fairy gardens in old terra cotta pots for myself. It’s not something I planned on, or even pictured myself enjoying. But when a mom asked me to teach her two kids how to make fairy gardens, I couldn’t help but enjoy the whimsical nature of miniature furniture, sparkly gems, and pretty colors. It is a fun mini project for me.

3. What practices/activities are most valuable to your creative process?
Going somewhere new or trying something new gets my creativity going. I’ve been doing a lot of college visits for my twins, who are senior high school students. I also recently brought all three of my sons to a zip line/adventure course to celebrate my youngest son’s 15th birthday. If I move my body — to another city or just zipping across the forest — my mind works better.

COCA Millstone Gallery Exhibition: Breathe - Maria Ojascastro and Rudy Zapf at COCA in St. Louis, MO on June 18, 2014.

COCA Millstone Gallery Exhibition: Breathe – Maria Ojascastro and Rudy Zapf at COCA in St. Louis, MO on June 18, 2014.

maria-ojacastro4. What’s one thing do you want to share with others about your art and/or process?
I often hate my art before I love it.


5. What advice would you give to your young artist self?

If you are going to get a degree in art, study something practical also — business, education, etc. If you are going to do something practical, also do something creative — dance, write, play an instrument etc. The left brain and right brain are equally important.

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Filed Under: an artist's sketch Tagged With: collage, mixed media, painting

Sketchbook Magic: Start and Feed a Daily Art Practice

September 22, 2015 by riasharon

Sketchbook-blog

I was invited to teach a class on Skillshare. So for the last month, I’ve poured my heart into creating Sketchbook Magic, an experience for you my friends who yearn to come alive with a creative pursuit, to feel paint on your fingertips, to experience the unparalleled delight of making something.

This class was born out of my commitment to myself to make art every day. For me, art is self-care… more than a long bath or a day at the spa. Yes, life is busy!

Yet, this “busy-ness” is the very reason that it’s essential for me to do this simple thing for ME! If I add up all the hours of the day I devote to what it takes to keep life humming along, including taking care of other people or doing things for other people, it seemed rather ridiculous and awful to not be able to commit to 10 minutes on something that is simple, pure JOY.

In this class, I share my secret tips for making time and space for art while busy with my job and my kids and my relationships and… my life! ;P

If you are ready to claim some me-time, self-care, join us. It’s self-paced, it’s 10-min a day for 5 days. No previous art experience required! Just an openness to fun and a little magic.

This link gets you a FREE month of Premium Membership on Skillshare for access to my class and unlimited access to hundreds of other awesome online classes.

Filed Under: classes Tagged With: sketchbookmagic, skillshare

In Praise of the Day Job

September 18, 2015 by riasharon

1024px-2008-07-04_NCSSM_Unicorn

I’m a duck… you know, those things (not the bird) that you can drive on land and in the water.

I spend a majority of my day at a job AND a good chunk being an artist/illustrator.

But all of the time, I feel like a unicorn because while most of my artist friends are counting the days until they can quit, I feel too guilty to say too loudly, “I really like my job.”

Of course, it keeps the lights on… and that’s a good thing. But there are a lot of other, not-so-tangible benefits of my job — things that I can’t get from my art practice, that actually feed my art practice.

So what does my job provide (other than income)?

1. Interaction with actual humans in real life
The day-to-day existence of an artist can be really isolating. When I go to work, I get to interact and collaborate with real people and dialogue with someone other than myself. I get the benefit from the richness of different perspectives. Generally, those other people are nicer and kinder than I am, to me. Har!

Overheard in the “conference room in my brain” can sometimes be a lot of “What were you thinking?!”

2. A place to go
… that doesn’t have a giant pile of laundry on the floor and a (pretty) good HVAC system, a much speedier internet connection and a cleaning staff… and did I mention my co-workers?

3. Consistency
Sometimes you don’t feel like going to work but you still have to.
Sometimes you don’t want to go to a meeting but you still have to.
Sometimes you don’t want to work with… whoever… but you still have to.
This is a mindset that can make all the difference in any pursuit, whether it’s “creative” or not.

There’s this notion that you can only be creative when you’re in a creative mood.
I don’t buy it… for myself anyway because I totally used to buy it… as an awesome excuse for avoiding what was right in front of me.

Leigh Medeiros said, “I learned that sometimes when you really, really don’t feel like making anything, you make your best work.” This really struck a chord with me.

4. Structure
… some people bristle at the thought but I thrive on it.

I went away for a week’s vacation, I didn’t touch a paintbrush for the first three days. I started to question my commitment to my art!!! How is it that I can whip out something in an hour after work before the sun goes down but when I have wide open day…. bluuuurgh.

Perhaps it’s my parochial school upbringing.
The routine feeds my creativity.
I also love uniforms!
I told you, I’m a unicorn… in a uniform!

Filed Under: process

An Artist’s Sketch: Jen Sertl

September 15, 2015 by riasharon

jens In 2004, my sister and I were both stay at home moms… and it was just before Christmas. She said, “I have no money to buy you a Christmas present”, and I said, “that’s good, because I don’t have any to buy one for you either”. We are both artists…she had already found her niche, I had not. I cut up every bridesmaid dress I had ever worn, and cut every silk and velvet fabric I had previously hoarded and made table runners for my family members. One friend commented that they would make beautiful scarves. Inspired by this, I shopped them around to local boutiques and received orders for 3 dozen from one shop. Soon after, my cousin who was in the recycled textile business called telling me he had a couple barrels of vintage cashmere sweaters for me to look at. I bought as many as I could and started restyling them immediately…business blossomed.

I have operated my own company, Angelina Accoutrements, LLC, since then. For a decade, I have deconstructed and repurposed vintage cashmere sweaters and garments into new one-of-a-kind wraps, ponchos, scarves, hats and fingerless gloves utilizing a self-taught technique that delicately reworks the edges of the knit. Though I am a one-woman operation, I create and manufacture more than 350-400 original pieces of clothing and accessories each year~producing and selling them myself through luxury boutiques, private trunk shows, fashion shows, and most recently juried art shows. In addition, I work directly with clients to restyle their own cashmere into beautiful new accessories and statement pieces. Clients always come back to me telling me that whenever they wear their pieces, they get stopped several times by other women complimenting them, and wanting to know where they bought it.

angelina

1. What’s your medium of choice and what do you love about it?
For a decade, I’ve worked with vintage cashmere sweaters, deconstructing them and reconstructing them into new wraps, ponchos, sweaters, scarves, fingerless gloves, hats for women and babies. I love that i can take something that was once discarded, and turn it into something beautiful again. I love unique pieces that tell a story and inspire a connection with the wearer of the item.

2. What are you working on right now? What’s on your camera/desk/easel or in your studio?
Right now I’m working on hand-stitched infinity scarves with handmade bows of cable knit cashmere. They require quiet time with the needle and thread. They can’t be stitched on the machine because of the stretchy nature of cashmere knitwear. Some have wool boucle bows which is a little nod to a 3rd degree connection I share with Coco Chanel.

1920 x 1920 grey scarf with fingerless gloves 3. What practices/activities are most valuable to your creative process?
I start each day with some quiet and meditation, which clears my mind and sets up my awareness level to high for the rest of the day. It adds a certain serendipity to my day and everything flows. Other activities that inspire me are getting out and about~anywhere new, or out in nature. This will sound odd after the “meditation” answer above, but watching Gossip Girl all summer with my teenaged daughter was inspiring beyond measure. The clothing and styling was probably the BEST part of it. We had travelled to NYC last spring and she and I both received lots of compliments on our fingerless gloves while we were there. When we came home, she made me sit down and watch Gossip Girl because it was filmed there. Spending quality time with my daughter and her friends really fills me up as well…I love seeing them have photo shoots together and watching them encourage and compliment one another.

4. What’s one thing you want to share with others about your art and/or process?
I love the connection between people that art creates… for me it is what helps to inspire me over and over again. It’s not just the creating of the goods that I love so much, it’s seeing a woman try something on and smile at herself in the mirror. It’s uplifting to me to hear clients come back and tell me how many compliments they receive when they wear my cashmere pieces. It’s what inspires me to get back to the studio and make more goods. It’s a big circle.

5. What advice would you give to your young artist self?
I’d tell her to always follow her heart, and that her path will “light up” along the way. I said those words in an interview in 2008 and my grandparents read the article. In 2011, my dear grandpa died. He and my grandma had been my greatest source of inspiration on how to live a good life. Shortly after he died, I started finding little stars on my path, ALWAYS while I was doing something in his honor, or something from the heart for another… I cannot tell you how many stars I found in the last 4 years. So I began making bracelets (see photo) in his honor and as a way to tell the story of connection with him after his passing. I didn’t realize until almost a year later that my grandpa was reminding me of my own words in 2008 in that interview… the question was, “when do you feel your best?” I said, “I feel my best when I follow my heart… when I do, the path in front of me lights up.” I still find stars almost every day at a poignant moment. And, as I’m sitting in my studio writing this, I hear a commercial playing that keeps saying the word “stars” over and over again. It’s little things like this that make life seem magical and perfectly in time… and that may sound crazy to some, but it makes me feel full of joy.
bracelets

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Filed Under: an artist's sketch Tagged With: cashmere, fashion, handmade

An Artist’s Sketch: Airees Rondain

September 10, 2015 by riasharon

AireesAfter running a desktop publishing shop from 1994-2000 doing graphic design and printing, I got married and focused my attention to building a career out of web designing. In the process of building my “sample” website to test my web design skills I recently acquired, a new opportunity manifested right in front of me – to design and make wedding invitations. That’s how I got involved with a social enterprise and became an advocate for the promotion of Filipino handmade products in the context of fair trade and sustainability. I was active in the wedding invitation industry promoting our eco-friendly handmade paper invitations for 13 years.

Making invitations while raising a family for the last 12 years made me want to do something else. It was in 2013 that I had this strong urge to paint. I’ve always wanted to paint and I started in 1990 before entering college but I stopped due to the demands of the course. I didn’t get paints on my hands in 2012 but I did get sticky hands because the hundred of handmade collage wallets and passport jackets I made and sold locally and abroad.

In March 2014, as a birthday gift to myself, I enrolled online on sketching and painting girls in boots during watercolor. I never put down the paintbrush again.

I’m not the kind of person who’d settle especially in my craft. After making hundreds of “watercolor girls”, the entrepreneur in me thought it would be nice to make a 2015 Calendar with motivational quotes for each month. I offered my custom portraits as well as unique gifts for Christmas. My work got the attention of the Editor-in-Chief of a nationwide daily.

This year, I started to dabbled in mixed media especially art journaling and am beginning to translate my artwork as designs for handmade paper wallets and stationery.

airees 1. What’s your medium of choice and what do you love about it?
I can’t pick one of these two since they kind of balance my energy depending on the mood I’m in so I’ll say its watercolour and acrylic. I love the the “light feel” watercolour gives me and how I can just be playful if I want to. Watercolour is quite unpredictable that can lead to happy accidents. It allows me to relax when I paint loosely (like in my traveler’s notebook/illustrated journaling). At the same, it also gives me that certain level of control (I’m quite OC) if I paint custom portraits. Acrylic, on the other hand, is like my “cheat day” when my fingers feel tired of the controlled movement I do in watercolor. I am allowed to get messy, do finger-painting, experiment and explore. I use it mostly on my art journals.

2. What are you working on right now? What’s on your camera/desk/easel or in your studio?
I just finished an art journal spread I titled “Home” and now I’m creating more for my first Art Journaling Workshop together with a friend on August 30. They also serve another purpose – I digitise and use them as designs for my line of handmade paper wallets, journals and other handmade paper products. It still feels surreal when I see my art journal pages used as a cover for a journal or paper wallet.

airees-art-journal

3. What practices/activities are most valuable to your creative process?
Working from home can be quite claustrophobic for me! I have a once a week “date-with-myself” at a nearby cafe or anywhere where my mood wants to take me. I eat good food and a cup a tea to cap off my lunch while reading a good book on art. Sometimes I bring my traveler’s notebook and do illustrated journaling. I think the slow and quiet time that I get to savour at least once a week recharges my creative soul.

I also need to make something creatively each day whether it be a small watercolour painting or gesso-ing my art journal page at the least! Making art each day is like taking my vitamin supplements!

4. What’s one thing you want to share with others about your art and/or process?
That we are ALL creative. We just have to tap in on whatever creative project is calling us and give it a try. It becomes a passion then if we MAKE time (not just finding time) to pursue it.

If you’ve always wanted to paint but don’t know how, start by getting a paintbrush and paint first, and by all means, paint away. Take workshops, read blogs, watch YouTube. Be consistent. Be gentle with yourself. Every artist was once an amateur.

airees-wallet

5. What advice would you give to your young artist self?
Have the courage to pursue your passion and work hard to become a better version of yourself than yesterday.

I took up Computer Science in college because it was the “the” course that will take me to places and give me a stable income. I was just starting to paint the summer before entering college but I stopped. It took me 24 years to pick up the paintbrush again because of that nagging voice inside my head that I can’t draw other than stick figures and I have never put the paintbrush down since then.

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Filed Under: an artist's sketch Tagged With: acrylic, art journaling, watercolor

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A little about me

I have an undergraduate degree in art. By day, I work in higher ed and in my free time I'm currently putting myself through DIY grad school.

I teach classes on creativity and inspiration on Skillshare. I occasionally share my original paintings on Etsy and fine art prints on Minted. I've also been known to make puppy portraits.

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