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Ria Sharon

pondering creativity, process, and making art

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Holiday Hand Lettering Experiments

December 12, 2014 by riasharon

I’m trying out some hand lettering for this year’s card.

© Ria Sharon

Filed Under: greeting cards, learning hand lettering

Sunrise, Sunset

December 9, 2014 by riasharon

… and swiftly flow the years…

The days are long but the years are fast. And this girl just had her bat mitzvah this weekend. Whut?! There are no words that can capture the fullness of my heart so I’m just going to stop here.

© Ria Sharon

Filed Under: illustration, kid art, portrait

Your Emotional Wisdom

November 24, 2014 by riasharon

So awhile back, I was working on illustrations for Your Emotional Wisdom. I posted 12 of the final collection on Fine Art America. Kinda fun to see them all in one place.

© Ria Sharon

Filed Under: floral paintings, greeting cards, illustration

Thanks for confirming!

May 13, 2014 by riasharon

Thanks for confirming! I know, I know… I’m totally hacking this email list subscription thing. But yes, this is Ria from The Printable Letter and I’m thrilled that you stopped by the shop and made a purchase! I hope you love it as much as I enjoyed making it.

xoxo,
Ria

© Ria Sharon

Filed Under: art prints, Uncategorized

Idols and Phantoms

September 16, 2013 by riasharon


Everything changes.
Nothing stays the same.

That’s the truth that Jen speaks out loud here.

I’m amazed at the tug of certainty, at the lengths I will go to in order to land on some conclusion, to be able to weave a story that makes sense, even if I’m aware that the knowing is only for now.

As a little girl, I would spend hours and hours reading The Picture Bible. And like all the other little girls and boys in Sunday School, I would scoff at those Israelites when they convinced Aaron to make them a golden calf because Moses had left them at the base of the mountain to commune with God.

But now I read the story with different eyes — through eyes of compassion for the poor souls who were left without a guide for forty days and forty nights. Who could stand it, after wandering all that way from Egypt already? Even though he sent the plagues, even though he parted the sea, who was to say that God would not abandon them in the desert after all… isn’t that what they grumbled amongst themselves?

Certainty is a golden calf. It’s a thing that, although it will not last, is at least something I can feel and sense, that gives me comfort and lifts the burden of an unknown tomorrow.

Certainty. How much energy or or money or time have I invested trying to secure it? How much of my life have I wasted running from ambiguity?

I’m beginning to understand that it, along with peace, and ease, and a stress-free existence — these are the idols that I bow too. They are not real. They are phantoms that disappear as soon as I think I have them in my grasp.

When I think I know, when I am absolutely certain… everything changes.

What are your golden cows? Feel free to send them to me. Let’s put them all together and build… a piñata! 🙂

© Ria Sharon

Filed Under: art journal

This too shall pass

September 9, 2013 by riasharon

And then the sun rose, without my willing it to.

The shadows lifted. Unexplicably.
Life wasn’t such an affront to me anymore.
Just as I was getting used to the dark, it too passed.
This too shall pass.
The message made several appearances among the stacks and stacks of letters for the hope jar. It was meant for me, to highlight that acceptance isn’t just about the darkness but the coming of the light, too.
Just as Jennifer and Melissa promised in Your Emotional Wisdom, the sadness flowed through me. I was feeling sorrow but the sorrow was not me, as much as in the midst of it, that’s what it felt like.
I stand on the other side of it, on a beach washed clean, like a newborn blinking at the bright light, not quite knowing how to be so tender in the world.
© Ria Sharon

Filed Under: art journal

cozy

September 2, 2013 by riasharon

Since my last post, in which I was kicking and screaming and moaning, I’m pleased to report that now… I am not. I’m finding a certain exquisite beauty in the dark.

It’s fascinating, this observing of myself as I swim around, upended by loss and grieving — not just the physical death of people I love — but other, psychic deaths. Letting go of seasons of my life, letting go of the life I thought I was creating for myself, letting go of expectation, dreams, ambition.
So stripped of those things, what’s left?
Does that frighten you? To think that there is a place as dark as this, where we are brought to our knees to contemplate our bare selves? I suppose it’s optional. You don’t have to sign up for that program. Really.
I’m a little fuzzy about the exact moment when I myself placed the order for this much suffering. It might have been that time beginning years back when I started asking perilous questions like, who am I? And what am I doing here?
So here’s some advice for the faint of heart. Keep the lights on and… don’t ask!!!! lol
But if you just can’t help yourself, perhaps it will bring you comfort to hear that after being stripped of those things, I discovered that I am not those expectations and dreams after all. And even having been stripped of ambition, it turns out, I can still get up in the morning and make a bowl of oatmeal. And breathe.
It may not seem like so much to you, especially if there is still some unachieved goal you are driving toward. But for me, this experience is profound… it’s like crawling into a womb, a naked, barely alive thing. In the womb I was not my resumé, or my roles, or even my dreams and ambitions. In the womb, I was no more than a pulsing heart and a breath, quite cozy and content to stay in the safety of this darkness, accepting of this world just as it is. And held.
And that’s what I’m discovering in this state of darkness as well. Acceptance — of myself as I am, of the conditions of the world as they are. Just breathing.
© Ria Sharon

Filed Under: art journal, process

In the dark

August 26, 2013 by riasharon

I avoid painting at night.

In the dark, the colors inadvertently get muddy, the contrast gets all flattened out, making it difficult to tell where one thing ends and another begins.

But for this piece, I watched the sun set beyond the trees at the seminary down the street, it’s last rays momentarily blinding me with their grasping light through the western studio windows. I decided to keep on.

I was struggling with it anyway, wrestling with the forms that I so wanted to keep in the dark: fear, doubt, worry, danger… all the “UN” words… UNworthiness, UNloved — the exact opposites of my dreams and desires. But is it really so binary? Black and white? Shadow and light? Inside and outside?

One of the very first exercises I was given in my freshman drawing class was the relationship between positive and negative spaces; the rendering of one defining the other. Is it the same with worry and ease, unworthiness and worthiness, doubt and certainty? It seems rather obvious and simple but truly… what is one without the other? What would happen to my experience of ease if every one of my days were spent sipping mai tais by the pool?

It’s a common exercise in the self-development circles these days, to clearly delineate between what you want and don’t want. To know. To be certain what’s inside and what’s outside of your boundaries. That was my intention when I started this mini-project and shared it with you. But what do I inadvertently lose when I put up a hard edge against perceived danger? And is there something I gain from embracing it all? When the contrast gets all flattened out… all of it begins to seem like part of one big thing.

Waaaaah! Say it ain’t so!!!

I’ve been struggling so much lately with acceptance — accepting that what I want to run from could turn out to be a blessing. And that trying to sift out what I want from what I don’t want could be a form of trickery and manipulation on my part. That in fact, there is no form not shaped by it’s shadow.

It all starts looks the same in the dark.

I read this quote from Janet Connor: “To feel really safe, you must first step out into the unknown, experience fear, and discover all is well.”

© Ria Sharon

Filed Under: art journal, process

Hidden Drivers

August 19, 2013 by riasharon

Belonging.
Ease.
Safety.
Love.
Peace.
Security.
Worthiness.

These are the words I hear again and again, the things so many of us hunger for. As I glued down each word, it occurred to me that these essential feelings that I hunger for and that you hunger for are the exact same things that drive us forward. Belonging and Love and Worthiness are the kinds of deep longings that compel us to push off from Where We Are to Where We Want to Be.

Tell me if this is true for you.

I know that Safety and Belonging sent me on a journey across the globe in search of a different life and family. The draw of Ease and Security weighed heavily in my choice to marry and whom to marry.

And Worthiness? This one gnaws at me still. It colors my work, my relationships, even what books I read. 😀

But… the power we have when we can name our hunger! I felt my heartbeat quicken at the thought of putting them on the plate, in plain sight.

I invite you to muse with me… imagine what it would be like to taste Ease and Peace and Love.

What would that nourishment feel like? What parts of you would come alive when your particular hunger is abated?

© Ria Sharon

Filed Under: art journal, process

What do you hunger for?

August 4, 2013 by riasharon

This is not
the age of information.

This is not
the age of information.

Forget the news,
and the radio,
and the blurred screen.

This is the time
of loaves 
and fishes.

People are hungry
and one good word is bread
for a thousand.

  — David Whyte
      from The House of Belonging
      ©1996 Many Rivers Press

I first heard this poem read out loud at Kimberly and Mary Lou Schneider’s Poetry as A Spiritual Practice retreat. I think that part of my soul that hungered began to stir. You know, like tuning forks — the way they begin to vibrate at the same frequency even across a room. With my eyes closed and actually hearing those words spoken out loud, I began to understand that we all hunger for something, even in this age of everything-you-could-possibly-want-on-Amazon!
And, that it’s okay to name my hunger, to need…
sweetness
and comfort
and security
— the flavors of a childhood memory;

the taste and texture of the fresh juicy mango that waits for me on a plate after my afternoon siesta.

What do you hunger for?

Today, I give you permission to taste it and feel it… and want it. And if you need someone to hold it for you, write it to me at (help)@hopefulworld.org and I can add it to the plate.

Just like loaves and fishes… when our words come together, we feed thousands.

© Ria Sharon

Filed Under: art journal, process

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A little about me

I have an undergraduate degree in art. By day, I work in higher ed and in my free time I'm currently putting myself through DIY grad school.

I teach classes on creativity and inspiration on Skillshare. I occasionally share my original paintings on Etsy and fine art prints on Minted. I've also been known to make puppy portraits.

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