Illustration Friday: Home
Well, I’m not really happy with it but whatevs.
My mood board…
Type Walk on Christmas Day
Hand Lettering Practice: Sweet
Penmanship Lesson Courtesy of Martha
We had Thanksgiving dinner last night. I know, those of you who know me know I gave up all that nonsense six years ago, by nonsense I mean slaving away for days and hours making the perfect Martha Stewart Thanksgiving, by the book. But Henry’s company gives each of their employees the choice of a turkey or a cheesecake so on Friday, he carried a bird home on the train!
So we whipped up a Thanksgiving dinner last night. Turns out that’s possible! No days of prep. We started at 11 and were done at 4. Who knew?
For the occasion, I had to dust off Martha’s Thanksgiving issue from 1998 or something. Yes, I actually had a subscription. Guess what I found? A penmanship lesson. Of course. 🙂 So thanks, Martha. For the turkey, cornbread and sourdough stuffing AND lesson on the lost art of penmanship.
Nothing is wasted
That’s one of Jen’s “T-shirt statements.” You know, like the thing you believe with enough conviction to wear on a t-shirt. Like a bumper sticker for your personhood. So if you’re run over by a bus wearing that shirt, you would be okay with that thing essentially being your last words, hanging like a thought bubble—your own personal billboard for people to people to remember what you believed enough to put on a shirt.
Nothing is wasted.
… not my first graphic design internship where for over a year all I used was Illustrator.
… not my first job as a designer where I used Photoshop for 10 hour days and 80 hour weeks.
I do know how to use the tools. I can digitize type. I can use filters. I can make crazy cast shadows using masks and alpha channels. I can blend textures to get the exact effect I want. I could take 10 years off your face, easy! And prep the file to print on a bus wrap!
But what I don’t know right now is how I want the letters to look and how to draw them. Because this.
So I’ll be over here with my No. 2 pencil.
The Gift
This is the part where I suck.
Have you ever listened Ira Glass’ thing on storytelling?
BTW, I love Ira Glass. I just saw his show, One Radio Show and Two Dancers last month at Wash U. Totally see it if you get the chance. Love the segment where he talks about passion… and that if you are lucky enough to do what you love for a living you get to do it day after day, over and over again until… you beat the life out of it. Or something like that. I may be totally misquoting him.
I digress.
In this video, he talks about how creative people get into creative work because they have good taste. But, when you start making stuff yourself (because you have good taste), what you are able to make really isn’t that good. Your taste is killer and that’s why you think your work sucks because it falls short of what you think it should be. So Ira says, a lot of people never get past this phase because they quit, thinking, I’m never gonna be any good at this. 🙂
So yeah, that’s happening.
But lucky for me, Ira reminds everyone that this is totally normal and the key is … volume.
It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions.
I think he might also say that it takes a couple of years to bridge the gap so … you know, don’t look… until 2017, k?
Weekly Word
I’ve been bitten by the lettering bug and really want to master this skill. What better time to start something than with the coming new year, right? And what better way to learn something than… to do it. A lot. And, what better way to do it a lot than to say, in a somewhat public way, that you will.
So I’m giving myself a once-a-week prompt to draw a word, any word, and post it on this blog. There’s nothing like the discomfort of being not good at something… yet. Right? To illustrate, yes, I inked “Weekly Word” eight times. I’m still not happy with it but oh well.
This practice is for hand lettering. I want to stay off the computer as much as possible and really focus on practicing the craft of drawing the letters/words. No digitizing, no adding effects in Illustrator, no colorizing, blah, blah, blah.
Okay, so this week’s word: SWEET
Illustration Friday: Sea
Excited to jump back into Illustration Friday with this prompt. I was inspired by the idea of illustrating old fairy tales rendered in a more contemporary way, like this one for The Little Mermaid and a fave KT Tunstall song.
Holiday Hand Lettering Experiments
Sunrise, Sunset
Your Emotional Wisdom
So awhile back, I was working on illustrations for Your Emotional Wisdom. I posted 12 of the final collection on Fine Art America. Kinda fun to see them all in one place.
Thanks for confirming!
Thanks for confirming! I know, I know… I’m totally hacking this email list subscription thing. But yes, this is Ria from The Printable Letter and I’m thrilled that you stopped by the shop and made a purchase! I hope you love it as much as I enjoyed making it.
xoxo,
Ria
Idols and Phantoms
Everything changes.
Nothing stays the same.
That’s the truth that Jen speaks out loud here.
I’m amazed at the tug of certainty, at the lengths I will go to in order to land on some conclusion, to be able to weave a story that makes sense, even if I’m aware that the knowing is only for now.
As a little girl, I would spend hours and hours reading The Picture Bible. And like all the other little girls and boys in Sunday School, I would scoff at those Israelites when they convinced Aaron to make them a golden calf because Moses had left them at the base of the mountain to commune with God.
But now I read the story with different eyes — through eyes of compassion for the poor souls who were left without a guide for forty days and forty nights. Who could stand it, after wandering all that way from Egypt already? Even though he sent the plagues, even though he parted the sea, who was to say that God would not abandon them in the desert after all… isn’t that what they grumbled amongst themselves?
Certainty is a golden calf. It’s a thing that, although it will not last, is at least something I can feel and sense, that gives me comfort and lifts the burden of an unknown tomorrow.
Certainty. How much energy or or money or time have I invested trying to secure it? How much of my life have I wasted running from ambiguity?
I’m beginning to understand that it, along with peace, and ease, and a stress-free existence — these are the idols that I bow too. They are not real. They are phantoms that disappear as soon as I think I have them in my grasp.
When I think I know, when I am absolutely certain… everything changes.
What are your golden cows? Feel free to send them to me. Let’s put them all together and build… a piñata! 🙂
This too shall pass
And then the sun rose, without my willing it to.
cozy
Since my last post, in which I was kicking and screaming and moaning, I’m pleased to report that now… I am not. I’m finding a certain exquisite beauty in the dark.
In the dark
I avoid painting at night.
In the dark, the colors inadvertently get muddy, the contrast gets all flattened out, making it difficult to tell where one thing ends and another begins.
But for this piece, I watched the sun set beyond the trees at the seminary down the street, it’s last rays momentarily blinding me with their grasping light through the western studio windows. I decided to keep on.
I was struggling with it anyway, wrestling with the forms that I so wanted to keep in the dark: fear, doubt, worry, danger… all the “UN” words… UNworthiness, UNloved — the exact opposites of my dreams and desires. But is it really so binary? Black and white? Shadow and light? Inside and outside?
One of the very first exercises I was given in my freshman drawing class was the relationship between positive and negative spaces; the rendering of one defining the other. Is it the same with worry and ease, unworthiness and worthiness, doubt and certainty? It seems rather obvious and simple but truly… what is one without the other? What would happen to my experience of ease if every one of my days were spent sipping mai tais by the pool?
It’s a common exercise in the self-development circles these days, to clearly delineate between what you want and don’t want. To know. To be certain what’s inside and what’s outside of your boundaries. That was my intention when I started this mini-project and shared it with you. But what do I inadvertently lose when I put up a hard edge against perceived danger? And is there something I gain from embracing it all? When the contrast gets all flattened out… all of it begins to seem like part of one big thing.
Waaaaah! Say it ain’t so!!!
I’ve been struggling so much lately with acceptance — accepting that what I want to run from could turn out to be a blessing. And that trying to sift out what I want from what I don’t want could be a form of trickery and manipulation on my part. That in fact, there is no form not shaped by it’s shadow.
It all starts looks the same in the dark.
I read this quote from Janet Connor: “To feel really safe, you must first step out into the unknown, experience fear, and discover all is well.”
Hidden Drivers
Belonging.
Ease.
Safety.
Love.
Peace.
Security.
Worthiness.
These are the words I hear again and again, the things so many of us hunger for. As I glued down each word, it occurred to me that these essential feelings that I hunger for and that you hunger for are the exact same things that drive us forward. Belonging and Love and Worthiness are the kinds of deep longings that compel us to push off from Where We Are to Where We Want to Be.
Tell me if this is true for you.
I know that Safety and Belonging sent me on a journey across the globe in search of a different life and family. The draw of Ease and Security weighed heavily in my choice to marry and whom to marry.
And Worthiness? This one gnaws at me still. It colors my work, my relationships, even what books I read. 😀
But… the power we have when we can name our hunger! I felt my heartbeat quicken at the thought of putting them on the plate, in plain sight.
I invite you to muse with me… imagine what it would be like to taste Ease and Peace and Love.
What would that nourishment feel like? What parts of you would come alive when your particular hunger is abated?
What do you hunger for?
This is not
the age of information.
This is not
the age of information.
Forget the news,
and the radio,
and the blurred screen.
This is the time
of loaves
and fishes.
People are hungry
and one good word is bread
for a thousand.
— David Whyte
from The House of Belonging
©1996 Many Rivers Press
I first heard this poem read out loud at Kimberly and Mary Lou Schneider’s Poetry as A Spiritual Practice retreat. I think that part of my soul that hungered began to stir. You know, like tuning forks — the way they begin to vibrate at the same frequency even across a room. With my eyes closed and actually hearing those words spoken out loud, I began to understand that we all hunger for something, even in this age of everything-you-could-possibly-want-on-Amazon!
And, that it’s okay to name my hunger, to need…
sweetness
and comfort
and security
— the flavors of a childhood memory;
the taste and texture of the fresh juicy mango that waits for me on a plate after my afternoon siesta.
What do you hunger for?
Today, I give you permission to taste it and feel it… and want it. And if you need someone to hold it for you, write it to me at (help)@hopefulworld.org and I can add it to the plate.
Just like loaves and fishes… when our words come together, we feed thousands.
































